Warrior Cat Clans 2 (WCC2 aka Classic) is a roleplay site inspired by the Warrior series by Erin Hunter. Whether you are a fan of the books or new to the Warrior cats world, WCC2 offers a diverse environment with over a decade’s worth of lore for you - and your characters - to explore. Join us today and become a part of our ongoing story!
News & Updates
11.06.2022 The site has been transformed into an archive. Thank you for all the memories here!
Here on Classic we understand that sometimes life can get difficult and we struggle. We may need to receive advice, vent, know that we are not alone in our difficult times, or even just have someone listen to what's going on in our lives. In light of these times, we have created the support threads below that are open to all of our members at any time.
Image / Link [break] Rper / Open [break] [break] She exhibits traits similar to her father Echeveriajinx. She is taller than the average cat but this is due to her Savannah bloodline. She isn’t the tallest cat in Moonclan though. She towers over her mate Jackal. She was born and raised in Moonclan. At the time of her and her sister Ghostkit’s birth her mother had suffered from complications. She passed away leaving her father to raise his daughters on his own. Being raised by an overprotective father she exhibits the same parental habits when it comes to her own sons. She’s constantly poking her nose into their private lives. She smothers her grandkits and spoils them to her hearts content much to her children’s dislike. She is the go to gossiper in the clan. Seems to somehow know everyone’s secrets. She is a rather emotional cat that wears her heart on his paws. She is unable to have more children due to complications from a stillborn litter born after her first two children.
She is the daughter of a former MCA of Moonclan and granddaughter of a former Moonclan Lunar Guard Captain and Moonclan Deputy. She experienced a lot of trauma as a young kit. Her mother passed away shortly after her birth. She was raised by a single father who was struggling to keep their small family of three together. Dreamresidence was close with her sister Ghostkit up until her death. Dreamresidence felt hollow most of her apprenticeship until she met Divinetraveler. The pair became best friends and later took each other as mates. They struggled with starting their own family and only had one litter as they were told the likelihood of having more kits would be highly unlikely.
Image / Link [break] Rper / Open [break] [break] A spitting image of his mother Katya. He inherited her flowing pure white fur and green eyes. One of his ears flops overdue to an old injury. The only trait that connects him to his father Arthur and his grandfather Silentstar is his short muscular He was born shortly after Brookclan's destruction to his parents Arthur and Katya. He is one of the few that carries some of the last traces of Brookclan. Omenshift was born in Moonclan as an only child shortly after his parents took refuge there. Unlike his more energetic mate. He is a cat of very few words. He doesn’t seem to socialize with others very much and keeps mostly to himself and his mate. He can come off as overly critical, especially towards his two sons. He has very strong opinions about the life choices his two sons make. Makes it very clear to both of them if he doesn’t agree. As a parent he was very hands off when his sons were growing up. Showing them very little affection and still doesn’t. It is also rare for him to be seen speaking to his grandchildren. He often clashes with his father in-law Echeveriajinx. [break].
[attr="class","col-right"]
Relations
Mother / Katya [dead] [break] Father / Arthur [dead] [break] Siblings / none [break] Mate / Dreamresidence [break] Children / Spacevoyager and Alientheory [break] Grandchildren / Comettrail, Constellationdesign, Novacloud, Gravityfield, Meteordust [break]
History
The grandson of Silentstar and Zodiac and descendant of the Royal lines of the Brookclan Monarchy. His parent fled Brookclan shortly before it's destruction. He was born as a Rogue and had gone by two names in his life. He was born under the name Lev Ranvieg-Vasily. He was raised for a total of 8 moons as a Rogue until he got separated from his parents. He's under the impression that both Arthur and Katya are gone.
Image / Link [break] Rper / Open [break] [break] Spacevoyager's only living sibling. He is the younger of the two brothers. They have been together through thick and thin. They’ve been close since their kithood. Both of them are competitive and have a healthy sibling rivalry. In their youth they would often challenge each other to friendly competitions. Unlike his brother Spacevoyager, Alientheory doesn’t look down at Mundane/Elementals but rather finds them to be interesting. Causing him curiously stray close to the borders or even the City of Ash. In hopes to catch a glimpse of the cats that reside there. He is a natural born parent, and becomes a parental figure to his nieces and nephews. He tends to spend more time with them than their own father. Causing many disagreements between the two brothers. As an apprentice he was slightly jealous of Spacevoyager’s relationship with Darkblessing. The jealousy only grew when Darkblessing took Spacevoyager as her mate. He has since gotten over his childhood jealousy with her passing. He did have a small crush on Darkblessing when the three of them were younger, but he would never admit to it and lost the chance when Darkblessing took Spacevoyager as her mate. He is now comfortable playing the role of the fun uncle to his brother’s children. He does blame his brother for his mate's death and even calls him out on how he treats his children. While his brother is a stoic cat like their father Divinetraveler. Alientheory is much more like their mother. He’s a very emotional cat and wears his heart on his paws. [break][break]
[attr="class","col-right"]
Relations
Mother / Dreamresidence [break] Father / Divinetraveler [break] Siblings / Spacevoyager [break] Mate / none [break] Children / none [break] Nieces and Nephews / Comettrail, Constellationdesign, Novacloud, Gravityfield, Meteordust [break][break]
History
Second born son of Dreamresidence and Divinetraveler. He was close to his brother as a young kitten. Between Alienkit, Spacekit, Darkkit, and Timekit he was the troublemaker, the ring leader of the group. He was never that close to Timekeeper when they were children, but developed a close friendship with Darkblessing. As an apprentice he was jealous of the relationship his brother Spacevoyager had with Darkblessing. When he became older he was desperate for finding his soul mate. He ends up falling in love with a mundane but convinces her to join Moonclan. [break][break]
Image / Link [break] Rper / Open [break] [break] Comettrail is one of two kits that was adopted by Spacevoyager and Darkblessing. Comettrail and his brother Constellationdesign were orphaned at birth. He has a courageous disposition. Willing to protect his brother Constellationdesign and even his adoptive siblings at all cost. He values family and see his adoptive family as his biology family. He is a schemer though and is always thinking of wild out of the box ideas that always lead him and his siblings into danger. He doesn't care if he lacks the approval of anyone and is the rebel child of all the siblings. It was thought he would be the biggest headache for Spacevoyager when they were older. [break][break]
[attr="class","col-right"]
Relations
Mother / Darkblessing [adoptive mother / dead ] [break] Father / Spacevoyager [adoptive father ] [break] Littermate / Constellationdesign [break] Adoptive Siblings / Novacloud, Gravityfield, Meteordust [break] Uncle / Alientheory [break] Grandparents / Dreamresidence and Divinetraveler [break][break]
Future
Like his brother he knew about Gravityfield's relationship with the Sunclan cat, but he desperately tried to convince her to give up her relationship with the Sunclan cat and to reconsider leaving Moonclan.
Image / Link [break] Rper / Dot [break] [break] The artistic prodigy of the litter. He shares his love of plants with Novacloud, but for a whole different reason. He likes to crush berries and flowers to make dyes. He leaves many of his what he believes to be beauty pieces of art in not so great places. He gets rather upset when his works of art at removed or distroyed by others. While he will openly state he believes in Selene the Moonclan goddess. He is rather skeptical of her and her teachings. While he comes off as lazy he definitely pulls a lot more strings that others are not aware of. When he discovered that Gravityfield was in love with a Sunclan cat. He did all he could to help her achieve happiness. [break][break]
[attr="class","col-right"]
Relations
Mother / Darkblessing [adoptive mother / dead ] [break] Father / Spacevoyager [adoptive father ] [break] Littermate / Comettrail [break] Adoptive Siblings / Novacloud, Gravityfield, Meteordust [break] Uncle / Alientheory [break] Grandparents / Dreamresidence and Divinetraveler [break][break]
Future
Like his brother he knew about Gravityfield's relationship with the Sunclan cat, and told her to follower her heart. On many of her dates he would act as a look out. [break][break]
Image / Link [break] Rper / Open [break] [break] Her voice is soft, feathery much like her mother Darkblessing. She gained her mother’s beauty and prides herself in maintaining that beauty. She is rather obsessed with personal hygiene and constantly feels the need to fret over her appearance. She hates getting dirty and becomes a first class drama queen when she gets her fur dirty. She loves the scent of various flowers and herbs. Often as a kit she would sneak into the warlock/witch’s den to steal flowers so she could rub the scent into her fur. She likes to keep up appearances and deeply cares about her reputation. When she is older she is quick to disown her uncle Alientheory for wanting to take an outsider mate. She is the visionary of the family. Always looking forward to her future and planning what it could be. [break][break]
While she is jealous of her sister Gravityfield as a kit. She feels shocked and torn when she discovers Gravityfield's betrayal. Partly wonders if she is to blame for her sister going against Moonclan. [break][break]
Image / Link [break] Rper / Open [break] [break] A big softie at heart and the most innocent looking one of Spacevoyager and Darkblessing's children. She looks the most like Darkblessing. Between her mother's looks and gaining her mother's personality. She would cause her father the biggest heart break and betrayal when she is older. She was the only kit that Spacevoyager showed any interest in. Which earned her the jealous looks from her sister Novacloud and the judgmental looks from her brother Meteordust. She earned sympathy from Comettrail and Constellationdesign and was close with her two adoptive brothers. [break][break]
She is destined to fall in love with a Sunclan cat. She will abandoned Moonclan for the love of her life and turn her back on her family when she is older. [break][break]
Image / Link [break] Rper / Open [break] [break] He believes in upholding the law. He is very fascinated by Moonclan’s lore. His devotion to Selene and Moonclan overall rivals that of his Father’s. He is an introvert and requires an excessive amount of personal space. He is patient, observant like his father, and watches from the sidelines. He seems harmless, but there is something slimy about Meteordust's personality. He's very much a coward. While he can show great loyalty to his clan and goddess. He lacks loyalty to his family and would sell them out to save his own skin. [break][break]
He discovers his sister Gravityfield's betrayal long after Comettrail and Constellationdesign find out. Instead of going to Gravityfield about it. He outs the betrayal to his father and the rest of the family. In hopes to get in the good graces of his father Spacevoyager. [break][break]
Image / Link [break] Rper / Open [break] [break] Spacevoyager's best friend, and future romance interest. While Timekeeper is just a simple Shadowhunter from a normal Shadowhunter family. The tom grew up with Spacevoyager, Alientheory and Darkblessing. He was the eldest out of the group and took the younger three under his wing. He became Spacevoyager's best friend at a young age and they've been attached at the hip ever since. As they've gotten older and Spacevoyager moved up the ranks leaving Timekeeper behind. He began to play the part of Body Guard and Personal Assistant while still being Spacevoyager's best friend. The tom gets flustered when others accuse him when other's call him out on his complicated friendship with the Inquistor. While the outside world and majority of Moonclan are forced to see cold harsh exterior that Spacevoyager offers the average cat. Timekeeper sees the reality behind the scenes. The broken shell that the Inquistor has become and was left to pick up the pieces after Darkblessing's death. Like Alientheory Timekeeper also spends a significant amount of time with Spacevoyager and Darkblessing's children. Becoming a more unofficial parent to the motherless litter. He does scold Spacevoyager often about how he treats his children and is one of the few cats that is allowed to cross that line. At the same time Timekeeper knows the Inquistor means well. He shares Spacevoyager's dislike for rogues, elementals and Sunclan but isn't as vocal about it. He is the more responsible one out of the two friends. [break][break]
[attr="class","col-right"]
Relations
Family Members are up to rper! [break][break]
History
Born half a moon before Spacevoyager and Alientheory. He was the first real friend that Spacevoyager had. They vented would vent to each other or slip the local gossip to each other. He was the first out of the group to become a student, but the last to become a shadowhunter due either to an injury or illness he suffered from when he was a student. He developed a crush on Spacevoyager when they were both students, but had his heart crushed when Spacevoyager and Darkblessing announced they were expecting. So he kept his feelings to himself. (more can be added on to history about his family and other things you wish this is just basic info) [break][break]
A color gel or color filter, also known as lighting gel or simply gel, is a transparent colored material that is used in theater, event production, photography, videography and cinematography to color light and for color correction. Modern gels are thin sheets of polycarbonate, polyester or other heat-resistant plastics, placed in front of a lighting fixture in the path of the beam.
section two
In Shakespearean-era theater, red wine was used in a glass container as a light filter. In later days, colored water or silk was used to filter light in the theater. Later, a gelatin base became the material of choice. Gelatin gel was available at least until 1979. The name gel has continued to be used to the present day. Gelatin-based color media had no melting point, and the color was cast in the media as opposed to being coated on the surface, both important properties for color media. It would, however, char at high temperatures and become brittle once heated, so it was impossible to handle once used in the lighting instrument.
[break][break]
By 1945 more heat-tolerant and self-extinguishing acetate-based through-dyed materials were being manufactured (marketed as Chromoid then Cinemoid by Strand Electric). In the U.S., Roscolene (acetate) was also developed to deal with these higher output light sources. Though cheaper, the acetate filters fell out of favor with professional organizations since they could not withstand the higher temperatures produced by the tungsten halogen lamps that came into widespread use in the late 1960s. The acetate-based material was replaced by polycarbonates like Roscolar (mylar polycarbonate) and polyester-based filters.
[break][break]
These materials have superior heat tolerance when compared to acetate-based gels. Many were transparent film with a surface coating. The first dyed polyester gels were introduced by Berkey Colortran in 1969 as Gelatran, the original deep-dyed polyester. The Gelatran process is still used today to produce GAMColor (100% of the line) and Roscolux (about 30% of the line). Other color manufacturers, such as Lee Filters and Apollo Design Technology, use a surface applied dye. (Roscolux is 70% polycarbonate and 30% deep-dyed polyester.)
A baby faced calico with blue doe like eyes, a chocolate-coloured nose freckled along the bridge and a curvy frame that gives him a dainty appearance. with a smaller stature than his father. He gives off the appearance of a damsel in distress. Between his feminine features, sleek calico fur, and his big blue doe eyes. He often gets mistake for a female apprentice.
^ ignore idk how to make bios anymore RIP
POPPYSKIP the lost, m taken by dot
PARENTS: Doefreckle/star & Beetuft (✞, surrogate) SIBLINGS: Snowdropwhimsy, Wisteriasun, Tulipdance, Bluebelldream HALF SIBLING: Lilydawn AGE: Around one and a half years.
HISTORY: Same as previous.
DESCRIPTION: An effeminate calico tom with blue eyes and a chocolate-coloured nose freckled along the bridge. Slightly smaller than his father. Because he’s practically the spitting image of the father he never knew, he’s struggled a lot with his identity. He’s incredibly clever and has the same capacity for great things, but squanders it by keeping his head down and flying under the radar.
Slightly more realistic and somber than Doe, mainly just on principle. Raised on stories of his father, he is intimidated by him. He yearns for his mother and holds her as a mythical figure in his mind, someone who represents all that was good and kind. He is the most lost of his siblings, uncertain and full of self-doubt. He feels that with the memory of Doe hanging over him, he can never have his own life.
Kind and sweet, but rarely smiles. Has developed a little premature wrinkle between his eyes from always frowning. Doesn’t realise he’s charming. The most mature of his siblings; very close to them, but feels more like a parent to them than anything. Always tired. He just wants his mum.
Dreams of the quiet life of a medicine cat and has spent all his free time since kithood helping out in the medicine den; as such, he's very good with herbs and healing.
The kind of popular who doesn’t realise he’s popular (likeable, naturally charismatic, friendly), very boyishly handsome, a little dainty. Strained and serious; prone to anxiety and clumsiness when he gets flustered and overwhelmed; doesn’t let himself raise his voice - when he gets frustrated or drops something he just takes a shaky breath and clamps down and stays calm. A lot of internalised feelings as a result.
His catty, biting wit comes out when he’s sleep-deprived, but usually he’s friendly and boyish and competent and just very very tired (often dozes off at Gatherings). There’s a lot of pressure to live up to his family name. As such, he’s highly-strung and a workaholic; his job is his life and as naturally popular as he is, he doesn’t realise it and doesn’t have (m)any friends.
He’s sweet and always has an exhausted smile at the ready, but he doesn’t recognise when someone likes him. Always forgets to eat; there’s an unofficial rotating roster in whatever Clan you choose to put him in saying whose turn it is to bring fresh-kill to him. He’ll just glance up from his work, bags under his eyes, and breathe a quick “thank you.” Increasingly, they’ll have to physically stay with him until he’s eaten it or he just forgets it’s there. All of the Clan cares about him.
Always covered in herbs and exhausted. Smells like herbs. A young, overworked prodigy and a soft, peachy boy.
Edited Aug 23, 2021 22:17:33 GMT -5 By Deleted
Deleted
POSTEDOct 11, 2021 20:52:22 GMT -5 TO Character Profiles
A color gel or color filter, also known as lighting gel or simply gel, is a transparent colored material that is used in theater, event production, photography, videography and cinematography to color light and for color correction. Modern gels are thin sheets of polycarbonate, polyester or other heat-resistant plastics, placed in front of a lighting fixture in the path of the beam.
section two
In Shakespearean-era theater, red wine was used in a glass container as a light filter. In later days, colored water or silk was used to filter light in the theater. Later, a gelatin base became the material of choice. Gelatin gel was available at least until 1979. The name gel has continued to be used to the present day. Gelatin-based color media had no melting point, and the color was cast in the media as opposed to being coated on the surface, both important properties for color media. It would, however, char at high temperatures and become brittle once heated, so it was impossible to handle once used in the lighting instrument.
[break][break]
By 1945 more heat-tolerant and self-extinguishing acetate-based through-dyed materials were being manufactured (marketed as Chromoid then Cinemoid by Strand Electric). In the U.S., Roscolene (acetate) was also developed to deal with these higher output light sources. Though cheaper, the acetate filters fell out of favor with professional organizations since they could not withstand the higher temperatures produced by the tungsten halogen lamps that came into widespread use in the late 1960s. The acetate-based material was replaced by polycarbonates like Roscolar (mylar polycarbonate) and polyester-based filters.
[break][break]
These materials have superior heat tolerance when compared to acetate-based gels. Many were transparent film with a surface coating. The first dyed polyester gels were introduced by Berkey Colortran in 1969 as Gelatran, the original deep-dyed polyester. The Gelatran process is still used today to produce GAMColor (100% of the line) and Roscolux (about 30% of the line). Other color manufacturers, such as Lee Filters and Apollo Design Technology, use a surface applied dye. (Roscolux is 70% polycarbonate and 30% deep-dyed polyester.)
A color gel or color filter, also known as lighting gel or simply gel, is a transparent colored material that is used in theater, event production, photography, videography and cinematography to color light and for color correction. Modern gels are thin sheets of polycarbonate, polyester or other heat-resistant plastics, placed in front of a lighting fixture in the path of the beam.
section two
In Shakespearean-era theater, red wine was used in a glass container as a light filter. In later days, colored water or silk was used to filter light in the theater. Later, a gelatin base became the material of choice. Gelatin gel was available at least until 1979. The name gel has continued to be used to the present day. Gelatin-based color media had no melting point, and the color was cast in the media as opposed to being coated on the surface, both important properties for color media. It would, however, char at high temperatures and become brittle once heated, so it was impossible to handle once used in the lighting instrument.
[break][break]
By 1945 more heat-tolerant and self-extinguishing acetate-based through-dyed materials were being manufactured (marketed as Chromoid then Cinemoid by Strand Electric). In the U.S., Roscolene (acetate) was also developed to deal with these higher output light sources. Though cheaper, the acetate filters fell out of favor with professional organizations since they could not withstand the higher temperatures produced by the tungsten halogen lamps that came into widespread use in the late 1960s. The acetate-based material was replaced by polycarbonates like Roscolar (mylar polycarbonate) and polyester-based filters.
[break][break]
These materials have superior heat tolerance when compared to acetate-based gels. Many were transparent film with a surface coating. The first dyed polyester gels were introduced by Berkey Colortran in 1969 as Gelatran, the original deep-dyed polyester. The Gelatran process is still used today to produce GAMColor (100% of the line) and Roscolux (about 30% of the line). Other color manufacturers, such as Lee Filters and Apollo Design Technology, use a surface applied dye. (Roscolux is 70% polycarbonate and 30% deep-dyed polyester.)
A color gel or color filter, also known as lighting gel or simply gel, is a transparent colored material that is used in theater, event production, photography, videography and cinematography to color light and for color correction. Modern gels are thin sheets of polycarbonate, polyester or other heat-resistant plastics, placed in front of a lighting fixture in the path of the beam.
section two
In Shakespearean-era theater, red wine was used in a glass container as a light filter. In later days, colored water or silk was used to filter light in the theater. Later, a gelatin base became the material of choice. Gelatin gel was available at least until 1979. The name gel has continued to be used to the present day. Gelatin-based color media had no melting point, and the color was cast in the media as opposed to being coated on the surface, both important properties for color media. It would, however, char at high temperatures and become brittle once heated, so it was impossible to handle once used in the lighting instrument.
[break][break]
By 1945 more heat-tolerant and self-extinguishing acetate-based through-dyed materials were being manufactured (marketed as Chromoid then Cinemoid by Strand Electric). In the U.S., Roscolene (acetate) was also developed to deal with these higher output light sources. Though cheaper, the acetate filters fell out of favor with professional organizations since they could not withstand the higher temperatures produced by the tungsten halogen lamps that came into widespread use in the late 1960s. The acetate-based material was replaced by polycarbonates like Roscolar (mylar polycarbonate) and polyester-based filters.
[break][break]
These materials have superior heat tolerance when compared to acetate-based gels. Many were transparent film with a surface coating. The first dyed polyester gels were introduced by Berkey Colortran in 1969 as Gelatran, the original deep-dyed polyester. The Gelatran process is still used today to produce GAMColor (100% of the line) and Roscolux (about 30% of the line). Other color manufacturers, such as Lee Filters and Apollo Design Technology, use a surface applied dye. (Roscolux is 70% polycarbonate and 30% deep-dyed polyester.)
A color gel or color filter, also known as lighting gel or simply gel, is a transparent colored material that is used in theater, event production, photography, videography and cinematography to color light and for color correction. Modern gels are thin sheets of polycarbonate, polyester or other heat-resistant plastics, placed in front of a lighting fixture in the path of the beam.
section two
In Shakespearean-era theater, red wine was used in a glass container as a light filter. In later days, colored water or silk was used to filter light in the theater. Later, a gelatin base became the material of choice. Gelatin gel was available at least until 1979. The name gel has continued to be used to the present day. Gelatin-based color media had no melting point, and the color was cast in the media as opposed to being coated on the surface, both important properties for color media. It would, however, char at high temperatures and become brittle once heated, so it was impossible to handle once used in the lighting instrument.
[break][break]
By 1945 more heat-tolerant and self-extinguishing acetate-based through-dyed materials were being manufactured (marketed as Chromoid then Cinemoid by Strand Electric). In the U.S., Roscolene (acetate) was also developed to deal with these higher output light sources. Though cheaper, the acetate filters fell out of favor with professional organizations since they could not withstand the higher temperatures produced by the tungsten halogen lamps that came into widespread use in the late 1960s. The acetate-based material was replaced by polycarbonates like Roscolar (mylar polycarbonate) and polyester-based filters.
[break][break]
These materials have superior heat tolerance when compared to acetate-based gels. Many were transparent film with a surface coating. The first dyed polyester gels were introduced by Berkey Colortran in 1969 as Gelatran, the original deep-dyed polyester. The Gelatran process is still used today to produce GAMColor (100% of the line) and Roscolux (about 30% of the line). Other color manufacturers, such as Lee Filters and Apollo Design Technology, use a surface applied dye. (Roscolux is 70% polycarbonate and 30% deep-dyed polyester.)
A color gel or color filter, also known as lighting gel or simply gel, is a transparent colored material that is used in theater, event production, photography, videography and cinematography to color light and for color correction. Modern gels are thin sheets of polycarbonate, polyester or other heat-resistant plastics, placed in front of a lighting fixture in the path of the beam.
section two
In Shakespearean-era theater, red wine was used in a glass container as a light filter. In later days, colored water or silk was used to filter light in the theater. Later, a gelatin base became the material of choice. Gelatin gel was available at least until 1979. The name gel has continued to be used to the present day. Gelatin-based color media had no melting point, and the color was cast in the media as opposed to being coated on the surface, both important properties for color media. It would, however, char at high temperatures and become brittle once heated, so it was impossible to handle once used in the lighting instrument.
[break][break]
By 1945 more heat-tolerant and self-extinguishing acetate-based through-dyed materials were being manufactured (marketed as Chromoid then Cinemoid by Strand Electric). In the U.S., Roscolene (acetate) was also developed to deal with these higher output light sources. Though cheaper, the acetate filters fell out of favor with professional organizations since they could not withstand the higher temperatures produced by the tungsten halogen lamps that came into widespread use in the late 1960s. The acetate-based material was replaced by polycarbonates like Roscolar (mylar polycarbonate) and polyester-based filters.
[break][break]
These materials have superior heat tolerance when compared to acetate-based gels. Many were transparent film with a surface coating. The first dyed polyester gels were introduced by Berkey Colortran in 1969 as Gelatran, the original deep-dyed polyester. The Gelatran process is still used today to produce GAMColor (100% of the line) and Roscolux (about 30% of the line). Other color manufacturers, such as Lee Filters and Apollo Design Technology, use a surface applied dye. (Roscolux is 70% polycarbonate and 30% deep-dyed polyester.)
A color gel or color filter, also known as lighting gel or simply gel, is a transparent colored material that is used in theater, event production, photography, videography and cinematography to color light and for color correction. Modern gels are thin sheets of polycarbonate, polyester or other heat-resistant plastics, placed in front of a lighting fixture in the path of the beam.
section two
In Shakespearean-era theater, red wine was used in a glass container as a light filter. In later days, colored water or silk was used to filter light in the theater. Later, a gelatin base became the material of choice. Gelatin gel was available at least until 1979. The name gel has continued to be used to the present day. Gelatin-based color media had no melting point, and the color was cast in the media as opposed to being coated on the surface, both important properties for color media. It would, however, char at high temperatures and become brittle once heated, so it was impossible to handle once used in the lighting instrument.
[break][break]
By 1945 more heat-tolerant and self-extinguishing acetate-based through-dyed materials were being manufactured (marketed as Chromoid then Cinemoid by Strand Electric). In the U.S., Roscolene (acetate) was also developed to deal with these higher output light sources. Though cheaper, the acetate filters fell out of favor with professional organizations since they could not withstand the higher temperatures produced by the tungsten halogen lamps that came into widespread use in the late 1960s. The acetate-based material was replaced by polycarbonates like Roscolar (mylar polycarbonate) and polyester-based filters.
[break][break]
These materials have superior heat tolerance when compared to acetate-based gels. Many were transparent film with a surface coating. The first dyed polyester gels were introduced by Berkey Colortran in 1969 as Gelatran, the original deep-dyed polyester. The Gelatran process is still used today to produce GAMColor (100% of the line) and Roscolux (about 30% of the line). Other color manufacturers, such as Lee Filters and Apollo Design Technology, use a surface applied dye. (Roscolux is 70% polycarbonate and 30% deep-dyed polyester.)
A color gel or color filter, also known as lighting gel or simply gel, is a transparent colored material that is used in theater, event production, photography, videography and cinematography to color light and for color correction. Modern gels are thin sheets of polycarbonate, polyester or other heat-resistant plastics, placed in front of a lighting fixture in the path of the beam.
section two
In Shakespearean-era theater, red wine was used in a glass container as a light filter. In later days, colored water or silk was used to filter light in the theater. Later, a gelatin base became the material of choice. Gelatin gel was available at least until 1979. The name gel has continued to be used to the present day. Gelatin-based color media had no melting point, and the color was cast in the media as opposed to being coated on the surface, both important properties for color media. It would, however, char at high temperatures and become brittle once heated, so it was impossible to handle once used in the lighting instrument.
[break][break]
By 1945 more heat-tolerant and self-extinguishing acetate-based through-dyed materials were being manufactured (marketed as Chromoid then Cinemoid by Strand Electric). In the U.S., Roscolene (acetate) was also developed to deal with these higher output light sources. Though cheaper, the acetate filters fell out of favor with professional organizations since they could not withstand the higher temperatures produced by the tungsten halogen lamps that came into widespread use in the late 1960s. The acetate-based material was replaced by polycarbonates like Roscolar (mylar polycarbonate) and polyester-based filters.
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These materials have superior heat tolerance when compared to acetate-based gels. Many were transparent film with a surface coating. The first dyed polyester gels were introduced by Berkey Colortran in 1969 as Gelatran, the original deep-dyed polyester. The Gelatran process is still used today to produce GAMColor (100% of the line) and Roscolux (about 30% of the line). Other color manufacturers, such as Lee Filters and Apollo Design Technology, use a surface applied dye. (Roscolux is 70% polycarbonate and 30% deep-dyed polyester.)
A color gel or color filter, also known as lighting gel or simply gel, is a transparent colored material that is used in theater, event production, photography, videography and cinematography to color light and for color correction. Modern gels are thin sheets of polycarbonate, polyester or other heat-resistant plastics, placed in front of a lighting fixture in the path of the beam.
section two
In Shakespearean-era theater, red wine was used in a glass container as a light filter. In later days, colored water or silk was used to filter light in the theater. Later, a gelatin base became the material of choice. Gelatin gel was available at least until 1979. The name gel has continued to be used to the present day. Gelatin-based color media had no melting point, and the color was cast in the media as opposed to being coated on the surface, both important properties for color media. It would, however, char at high temperatures and become brittle once heated, so it was impossible to handle once used in the lighting instrument.
[break][break]
By 1945 more heat-tolerant and self-extinguishing acetate-based through-dyed materials were being manufactured (marketed as Chromoid then Cinemoid by Strand Electric). In the U.S., Roscolene (acetate) was also developed to deal with these higher output light sources. Though cheaper, the acetate filters fell out of favor with professional organizations since they could not withstand the higher temperatures produced by the tungsten halogen lamps that came into widespread use in the late 1960s. The acetate-based material was replaced by polycarbonates like Roscolar (mylar polycarbonate) and polyester-based filters.
[break][break]
These materials have superior heat tolerance when compared to acetate-based gels. Many were transparent film with a surface coating. The first dyed polyester gels were introduced by Berkey Colortran in 1969 as Gelatran, the original deep-dyed polyester. The Gelatran process is still used today to produce GAMColor (100% of the line) and Roscolux (about 30% of the line). Other color manufacturers, such as Lee Filters and Apollo Design Technology, use a surface applied dye. (Roscolux is 70% polycarbonate and 30% deep-dyed polyester.)
ROSÉ roleplayed by DOT Exotic and enchanting, Rosé can win a cat’s heart just by stepping into a room--a talent she’s learned to perfect and harness through the years. She’s hardly ever had to lift a paw to do anything in life. There’s always a tom willing to hunt for her, and she’ll eat up their infatuation until there’s nothing left to gain from them. Flings aren’t really her thing. She just toys with one cat until they want too much from her and then it’s off to the next. Without them, there’s not much she could do. Many times she’s considered joining a gang for protection or a two-leg nest for security, but so much freedom is exhilarating. Maybe when she’s ready to settle down things will change. However, she’s spent so much time pretending to be the perfect she-cat to her temporary companions, that she’s not sure who she really is. It’s a sad fact, but she doesn’t have much of a personality and she’s scared that someone might reject her for it.
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POSTEDJan 24, 2022 11:57:32 GMT -5 TO Character Profiles
Leland takes heavily after his Uncle Axiom. He looks up to the unofficial family historian. He also thrives on knowledge. So much that he is on the fence about what he wants to do in his life. Be a guider where he can learn the vase knowledge of herbs or be a scout to be wild and free and learn all of the knowledge on the surface. He suffers from anxiety and tends to deal with his troubles on his own. He is quiet often too quiet. He stick in the background of his more wild siblings. Silently following their led but not voicing his own opinion. Yet every now and then he says something and it will stock others that he works up the courage to speak out.
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POSTEDFeb 5, 2022 14:43:31 GMT -5 TO Character Profiles
APPLEPAW delight the wallflower, the brains IMG ; DOT
Soft-spoken and quiet, most wouldn't give her a second glance if she were in a room — actually, they hardly notice her at all. She's a social recluse, and often fumbles through interactions, always sticking with those she knows. Not particularly prone to anxiety, she is very organized nonetheless and loves planning things. Always thinks things through and often the rock that holds her sister down. She enjoys researching various plants, and often watches wild animals from afar just to see what their lives are like.
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POSTEDFeb 7, 2022 13:03:10 GMT -5 TO Character Profiles
Long ash colored fur that almost covers his face. Making it rather difficult to see. He has expressive green eyes. He is not Renegade Regime born but was easily convinced to join. His life before the Regime is very much a mystery and he seems to have simply forgotten about it. He eagerly watches over the territory exploring. Spending very little time in camp. It’s a mystery how he spends most of his time. He was eager to become a scout and lacks the ambition to become a Mercenary. It’s not uncommon for him to spend time out in the territory during the night or disappearing for days on end. He always returns with either a large amount of prey or collection of random treasures. He makes unusual friendships and tends to be the odd companion to others with more ambitious personalities.
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Edited Feb 7, 2022 13:12:45 GMT -5 By Deleted
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POSTEDMar 5, 2022 17:36:43 GMT -5 TO Character Profiles
